On Friday night, at a crowded Christian rock concert at abertsford Church, stage scaffolding fell, knocking about 70 people down the floor and into the basement. Thirty-
The two were wounded and treated by ambulances, police and firefighters from several communities in Fraser Valley at Central Highland church on McCallum Road. Twenty-
Two of them had to be taken to hospital by ambulance, Const said.
Kathy Veney at abertsford police station
Although Vinet did not know their age or condition, three people were seriously injured.
\"This is a rock concert, mainly attended by young people,\" Vinet said . \".
About 1,000 people from the Lower Mainland and Washington state are enjoying a concert by the Christian rock band Starfield, 9: 17, with lamps and scaffolding falling above the stagem.
It falls on a group of people dancing in front of the stage, about 12-
15 feet from floor to basement below.
The hole left on the floor is about 24 feet square feet: Kevin Wittenberg Photo-a special photo of 13-year-old ProvinceAlyx peckinpaough, after narrowly avoiding a fall,
\"People are jumping, and I\'m jumping,\" she said . \".
Then she saw a security guard making a gesture and suddenly, the floor gave way.
\"I ran to the wall and yelled at my friends.
I couldn\'t find her, and then I saw her.
I ran out into the hallway and out there.
\"After the incident, the crowd, including the young parents who attended the show, crowded outside the church to cry and pray, because the injured were treated, and was taken to the hospitals of abertsford, chillivak and Langley.
\"Most of the injured were injured on foot, but some were taken away by stretchers,\" said Chris Douglas, senior pastor at the Central Highlands Church . \".
Ryan Collum and Troy Grenier are trying to find a friend in the chaotic scene.
\"We have a friend at the concert,\" Collum said . \".
\"We are really worried about her.
We don\'t know where she is.
Lorin Bergen, the pastor of Surrey life Hope Church, said that four young people in his church were hospitalized, one suspected of a broken arm and the other dug his hand.
\"We are very grateful,\" Bergen said . \"
\"It could be worse.
\"The concert was not organized by the church,\" Douglas said.
Instead, the management of the band has rented it out and sold their own tickets.
Members of Starfield were outside on their tour bus but did not comment.
Vinet said the police\'s forensic team was on-site.
\"We will do everything we can to determine why,\" he said . \".
After the event, first
The hand account began to appear on Starfield\'s Facebook page.
Here\'s what \"Elwin\" posted on the \"Fan Wall\" message board: We\'re the last row of pews that crashed in the basement.
We have bruises and a lot of pain.
Our Pew is with the people below.
Pray for all of them
\"Walter\" posted this: I was there.
Luckily, my little son and I were late on the balcony.
I pray for the band.
I pray that they will not be too shocked by this.
The injured (
And their parents)
Will heal soon and will not file a lawsuit against a band or church.
I pray for the congregation in the Central Highlands who will be able to worship on Sunday and will not be disturbed during the reconstruction.
When I went downstairs to help
I was a former volunteer, roadie)
I saw a woman fall down.
She lay down face down just (audience)
Right in the center of the stage.
She was unconscious and twitching.
I called 911, but I couldn\'t call.
This is 9: 18.
I checked when we realized that the horizontal lighting truss would not fall into the hole.
She lay on her back.
I don\'t know if she\'s okay.
Please update if anyone knows who she is or her condition.
From Starfield.
I want to encourage you by what could be a tragedy.
Shane talked to Shane\'s people about the fire, but God was with shadrak, micak, and abbednigo.
He will get through it with you.
He will also be with those injured.
On Friday night, McCallum Road was closed in both directions near the church and from Exit 90 of nearby Highway 1.
Anyone with photos, video clips, or any other disaster report is encouraged to submit to the province via our tag prompt page.

Have you ever thought about remaking the lighting effects in your own home bar or nightclub?
Maybe you want your color changing rgb led tape to sync with the music?
All this can be done with DMX.
DMX, the \"digital multiplexing\", was the first digital communications industry standard developed in 1986 to control dimmer.
Overtime it has been developed for a wide range of different lighting and effects equipment, including smoke/fog machines, stage lamps and Rotary Lights, for creating most of the visual lighting displays during performances and festivals.
The complete DMX system consists of a DMX controller that is connected to the device through a communication cable length.
The controller can be anything that is compatible with a communication cable, such as a computer, laptop, mixer, wall panel and even a microphone.
For example, a lighting technician can use a microphone to activate the lighting on the stage noise and synchronize it with the beat of the drum.
DMX controller using 8-
Bit language is similar to the language used by a computer when it \"speaks\" to peripherals, such as mice and keyboards.
The correct technical name for the DMX is DMX \"512.
\"Digital 512 refers to the number of\" channels \"or control options available in a single DMX port (also known as\" universe.
\"Depending on the DMX controller, the number of available ports/universes is different, but it is theoretically possible to have an unlimited number of ports and therefore an unlimited number of channels.
Channels are assigned to the device to control a single property of the device, such as speed, brightness, or movement.
For example, the channel on the mixing table can be used to control the color, brightness, pattern or speed of the LED emergency light, all of which can be controlled by a separate channel.
One of the benefits of DMX is that these individual attributes can be controlled independently of all the other attributes, which allows users to program their lights more precisely according to their preferences.
The most common cables used with cat systems are CAT5 and RS485, both of which are capable of carrying DMX protocols/signals.
Most domestic DMX installations are a very simplified version of the commercial stage setting used by concerts or theaters, where the mixing tables are replaced by a combination of basic wall panels and DMX drivers.
The \"dip switch\" on the DMX drive is set to \"on\" and the LED tape light is manipulated using the settings on the wall panel.
Marslite can also foster research that is more useful and influential in society at large.
At the heart of led light manufacturers is our Vision to be the global energy company most admired for its people, partnership and performance.
There's the area of manufacturing theatrical lighting supply that's becoming very important. If you can create those things, you build this closed bond.

Fierce competition in the global LED lighting market.Some of the key companies that dominate the global market include Philips Electronics.V.Osram optoelectronic, Corey, Zumtobel AG, Toshiba, Digital LumensCooper Industries and General Electric lighting.Zion Research has released a market for LED lighting called \"residential, architectural and outdoor applications: Global Industry Outlook, comprehensive analysis and forecasting, 2014-According to the report, the global market value of LED lighting is about $2020.It is $0 in 2014 and is expected to reach about $42.Between 5 billion and 2020, growth increased at a compound rate of approximately 13% per cent between 2015 and 2020.LED lights are an array of LEDs that provide long-lasting, economical, and eco-friendly lighting.LEDs are a semiconductor device that produces light through a process called \"Electric Light.LED lighting products have high electrical efficiency, high reliability and longer service life.This will save energy, reduce maintenance costs and environmental sustainability.In addition, the LED light has uniform and bright light, high efficiency and durability.LED lights save up to 80% of energy costs.Compared with the traditional technology, LED lighting technology is more environmental protection.Friendly because it will not emit harmful gases like carbon dioxideBrowse the complete \\ \"LED lighting market for residential, architectural and outdoor applications: Global Industry Outlook, comprehensive analysis and forecast 2014-2020 \\ \"the report of the LED market is mainly due to increased demand for LED lights with high cost-effective and long life span.Many governments around the world have imposed strict regulations on the production, import and sale of incandescent lamps.In addition, strong demand from countries such as China, Japan and South Korea is expected to show the LED lighting market growing fastest during the forecast period.Strict environmental regulations in Europe and North America remain the main market drivers for the LED lighting market.The development of urbanization, the increase in LED production and growing concerns about costs and carbon dioxide emissions have driven the growth of this market.However, LED light manufacturers are expected to face major challenges such as high initial investment and low end-user awareness of the benefits of LED lights.Residential, building and outdoor lighting are key application markets in the LED lighting market.In 2014, residential lighting dominated the global LED lighting market in all applications.In 2014, residential applications accounted for more than 40% of the global LED market.Architecture is another important way out for the LED lighting market, followed by outdoor applications.The building is the second largest application market for LED lighting in 2014, and is expected to show rapid growth due to the price efficacy and luminous efficiency of white light.In 2014, the global LED market dominated by Europe accounted for more than 30% of total demand.Strong demand for LED lights in Germany, France and the UK is expected to drive growth in the region\'s LED light industry.In addition, due to government initiatives and rapid urbanization in the region, the Asia-Pacific region is expected to be a major contributor to the growth of the LED lighting market.China, Japan, South Korea and India will be the main growth markets for LED lights in the region.

LED and conventional stage moving head lights are crucial components of any stage production, providing essential lighting effects to create ambiance, highlight performers, and set the mood for the audience. With advancements in technology, choosing between LED and conventional lights can be a challenging decision for lighting designers and production teams. In this article, we will explore the differences between LED and conventional stage moving head lights, highlighting their unique features, benefits, and drawbacks to help you make an informed decision for your next production.

Energy Efficiency and Power Consumption

When considering LED vs. conventional stage moving head lights, one of the key factors to take into account is energy efficiency and power consumption. LED lights are known for their energy-efficient properties, using less power to produce the same level of brightness as conventional lights. This can result in significant cost savings on energy bills, especially for large-scale productions that require extensive lighting setups. In contrast, conventional lights tend to consume more power, which can lead to higher energy costs over time.

LED lights also have a longer lifespan compared to conventional lights, reducing the frequency of bulb replacements and maintenance. This can be advantageous for production teams looking to minimize downtime and operational costs. Additionally, LED lights generate less heat than conventional lights, making them safer to use and reducing the risk of overheating during extended performances.

Color Mixing and Versatility

Another important consideration when choosing between LED and conventional stage moving head lights is color mixing and versatility. LED lights offer a wide range of color options, allowing for seamless color transitions, vibrant hues, and customizable lighting effects. With the ability to adjust color temperature, intensity, and saturation, LED lights provide greater flexibility for creating dynamic visual experiences on stage.

In contrast, conventional lights often have limitations in color mixing capabilities, relying on colored gels or filters to achieve specific hues. This can result in a more limited color palette and less precise control over lighting effects. While conventional lights can still produce stunning visual effects, LED lights offer a higher level of versatility and creativity in lighting design.

Brightness and Output

When it comes to brightness and output, LED and conventional stage moving head lights have distinct characteristics that can impact the overall visual impact of a production. LED lights are known for their high brightness levels and output, providing sharp, clear illumination that can easily fill a stage or venue. This makes LED lights ideal for large-scale productions where visibility and intensity are key factors.

Conventional lights, on the other hand, may not always match the brightness levels of LED lights, especially when using older technology or incandescent bulbs. While conventional lights can still produce ample brightness for smaller venues or intimate performances, they may not have the same level of output as LED lights. It is essential to consider the lighting requirements of your production to determine the optimal brightness and output needed for your stage moving head lights.

Control and Programming

Control and programming capabilities are crucial aspects to consider when comparing LED and conventional stage moving head lights. LED lights offer advanced control options, allowing for precise adjustments in color, intensity, movement, and other lighting parameters. With the ability to program complex lighting sequences, cues, and effects, LED lights provide a high degree of customization and automation for lighting designers.

Conventional lights, while still capable of producing stunning visual effects, may have limited control and programming features compared to LED lights. Manual adjustments may be required during performances, impacting the overall consistency and precision of lighting cues. Additionally, conventional lights may have slower response times and fewer built-in effects, limiting their flexibility in creating dynamic lighting designs.

Cost and Affordability

Cost and affordability considerations play a significant role in the decision-making process when choosing between LED and conventional stage moving head lights. LED lights typically have a higher initial investment cost compared to conventional lights due to their advanced technology and energy-efficient properties. However, the long-term cost savings on energy bills, maintenance, and bulb replacements can offset the initial upfront expenses over time.

Conventional lights may have a lower initial cost, making them a more budget-friendly option for productions with limited resources. However, the higher energy consumption, maintenance requirements, and shorter lifespan of conventional lights can result in higher overall costs in the long run. It is essential to weigh the upfront costs against the ongoing operational expenses to determine the most cost-effective lighting solution for your production.

In conclusion, LED and conventional stage moving head lights each have unique features, benefits, and drawbacks that should be carefully considered when selecting lighting equipment for your production. By evaluating factors such as energy efficiency, color mixing, brightness, control, and cost, you can make an informed decision that meets the specific needs of your stage design and budget. Whether you choose LED lights for their energy efficiency and versatility or conventional lights for their affordability and traditional aesthetics, both options offer the opportunity to create stunning lighting designs that enhance the overall impact of your performance.