ultimate guide to \'monsters, inc.\'
by：Marslite
2019-09-15
Animation Magic: Creating Monsters\"Monster Company\"
It\'s one of a series of classic animated films produced by Pixar.
How does the Pixar animation process work?
This started when Pixar employees suggested his or her ideas to the development team, which reminded people of the sales campaign.
Then write a treatment. -
A short outline of the general idea of the story.
Sometimes, before choosing a story as a work narrative, a lot of processing is done on the same story.
After the treatment is completed, write the script and draw the story board.
The story board is like a hand. drawn comic-
The book version of the movie serves as a visual blueprint for action and dialogue.
Using these guidelines, artists envision the sequences they specify, draw them out, and then market their work to the director.
Then record a temporary \"scratch\" sound for the storyboard axis.
Later, when the story and dialogue develop further, the professional actor will record the dialogue using the script and the advertisementlibbing.
Actors must record their lines in different ways, and the best reading is vivid.
Sometimes, however, the sound of scraping is very good and they are animated.
Next, characters, scenes, and props are either carved by hand and then scanned for three-
Size or 3-modeling
D directly in the computer
They are then given \"avars\" or hinges that the animator will use to move objects or characters.
Some characters face 100 avars alone.
In the next stage, these kits are built in 3-
D and \"wear\" props models such as chairs, curtains and toys.
In order to create a credible world, set dresers works closely with the director to ensure that the director\'s vision is realized.
Next is the shooting.
Translate this story into three.
In a 3D scene, the layout team orchestrates the characters in the scene and uses the \"virtual camera\" to create a lens that captures the emotional and story points of each scene.
Take multiple photos and the best one is cut off.
Once the scene is cut, the final version will be released to the animation.
Like traditional Animation, Pixar\'s animators neither draw nor draw.
Because the model, the characters, the layout, the dialogue, the sound are all arranged, the animator is like a puppet.
They use Pixar\'s animation software to orchestrate the actions and facial expressions of characters in each scene.
They do this by using computer control and avars for characters.
Then the computer creates in-between frames.
Next, shadow the collection and characters.
The coloring process is done with a \"shader--
Software programs that allow complex changes in color and color-shaping.
For example, the process allows the color to move through different lighting, such as reflections in the eyes of the character.
Then the lighting completes the appearance.
Using the same digital lights as the stage lights, each scene is illuminated.
Keys, fill lights, bounce lights, and room atmosphere are defined and used to enhance the mood and emotion of each scene.
The next step is rendering, which will translate all the information in the file that makes up the lens-
Set, color, character movement, etc--
A frame of the movie.
Each frame represents 1/24 of screen time, and rendering takes about six hours.
Some frames took up to 90 hours.
In the last part of the process, music scores and other sound effects are added.
The photo Science Department then records the digital photo frame taken or the form suitable for digital projection.
What is an animation without music?
In the next section, we will look at the tunes in \"Monster Company\"\" cartoon.
It\'s one of a series of classic animated films produced by Pixar.
How does the Pixar animation process work?
This started when Pixar employees suggested his or her ideas to the development team, which reminded people of the sales campaign.
Then write a treatment. -
A short outline of the general idea of the story.
Sometimes, before choosing a story as a work narrative, a lot of processing is done on the same story.
After the treatment is completed, write the script and draw the story board.
The story board is like a hand. drawn comic-
The book version of the movie serves as a visual blueprint for action and dialogue.
Using these guidelines, artists envision the sequences they specify, draw them out, and then market their work to the director.
Then record a temporary \"scratch\" sound for the storyboard axis.
Later, when the story and dialogue develop further, the professional actor will record the dialogue using the script and the advertisementlibbing.
Actors must record their lines in different ways, and the best reading is vivid.
Sometimes, however, the sound of scraping is very good and they are animated.
Next, characters, scenes, and props are either carved by hand and then scanned for three-
Size or 3-modeling
D directly in the computer
They are then given \"avars\" or hinges that the animator will use to move objects or characters.
Some characters face 100 avars alone.
In the next stage, these kits are built in 3-
D and \"wear\" props models such as chairs, curtains and toys.
In order to create a credible world, set dresers works closely with the director to ensure that the director\'s vision is realized.
Next is the shooting.
Translate this story into three.
In a 3D scene, the layout team orchestrates the characters in the scene and uses the \"virtual camera\" to create a lens that captures the emotional and story points of each scene.
Take multiple photos and the best one is cut off.
Once the scene is cut, the final version will be released to the animation.
Like traditional Animation, Pixar\'s animators neither draw nor draw.
Because the model, the characters, the layout, the dialogue, the sound are all arranged, the animator is like a puppet.
They use Pixar\'s animation software to orchestrate the actions and facial expressions of characters in each scene.
They do this by using computer control and avars for characters.
Then the computer creates in-between frames.
Next, shadow the collection and characters.
The coloring process is done with a \"shader--
Software programs that allow complex changes in color and color-shaping.
For example, the process allows the color to move through different lighting, such as reflections in the eyes of the character.
Then the lighting completes the appearance.
Using the same digital lights as the stage lights, each scene is illuminated.
Keys, fill lights, bounce lights, and room atmosphere are defined and used to enhance the mood and emotion of each scene.
The next step is rendering, which will translate all the information in the file that makes up the lens-
Set, color, character movement, etc--
A frame of the movie.
Each frame represents 1/24 of screen time, and rendering takes about six hours.
Some frames took up to 90 hours.
In the last part of the process, music scores and other sound effects are added.
The photo Science Department then records the digital photo frame taken or the form suitable for digital projection.
What is an animation without music?
In the next section, we will look at the tunes in \"Monster Company\"\" cartoon.
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