The quarrying season ballet is a chance for WA Ballet dancers to walk out of her Majesty\'s theater and enjoy themselves --
They did it this year.
The Ballet season continues until March 9, with Margaret River, the quarry amphitheater at Leeuwin Manor, 17 Flores. All of this was created by young choreographers-they brought the work a primitive energy that was perfectly suited to the position.
The background of the quarry is steep limestone walls, trees and city lights in the distance, and it is not just a place but an integral part of the performance.
The choreographer who seems to understand this best is David Jonathan, whose work goes beyond that, the second of the night.
From the center stage of two male dancers.
As one man strode toward another, their shadow-thrown into the sharp relief on the walls of the quarry by Joe comorio\'s clever lighting design --
Merge into one and then separate with the beginning of the dance.
Sabry Ghalem as a dancer-
Cheliv and Richard Potter jumped up and turned around, and their shadow aroused Peter Pan and his shadow.
Jennifer provens joined them and was then held up and bent by the man to form the machineLike structure.
Simple outfit-a cream corset for Provence and high school students --
Men\'s waist underwear-occasionally a somewhat raw robot action will evoke the string puppet that escaped from the toy box.
After the dynamic music of American composer John Adams
The industrial feeling of work.
This is a promising debut for young choreographers.
The party opened with King David McCarthy\'s work, 19, in honor of McCarthy\'s late neighbor, whose favorite musical work was Mozart\'s Piano Concerto No. 19.
This is a beautiful music, and McCarthy\'s dancers also performed it very beautifully.
The four couples were dressed in pure blue and had only red glitter, the only decoration they had --Defined muscles
Full of women-
The long dress highlights the continuous smooth movement of choreography.
The fifth couple in a bloody red dress is the highlight.
Kasey Polkinghorne and Tim O\'Donnell\'s pas de deux are amazing as Polkinghorne blends in every step with commitment and belief.
The climax of the night was Catherine Goss\'s work, Tatu.
Like Jonathan, Goss developed her work as part of the WA Ballet Genesis program, which bodes well for the company as it has in its own team
Goss chose the soundtrack for the movie \"Lola Run\", which drives a male, sexy and original work.
She worked with three male dancers to create the work, and one of them, Tim O\'Donnell, danced that night.
He and Cass Mortimer used each other as foil and levers to create acrobatics and original dances.
Catherine Goss said on the show that she wanted to find \"challenging, dynamic, detailed, strong and satisfying movements \". She succeeded.
After such a strong and vibrant first half, the second half was disappointing.
It consists of pieces, a work commissioned specifically for the quarry season, by former Bangladeshi dance theater dancer Francis rings and Awards --
Award winning choreographer
The rings use their implied middle age-the ancient pile of debris-and the life of the past-as a source of inspiration for her work.
She used the string quartet of Philip Grasse and Peter skusthorpe, which looked slow and dirty after the energy of the first works --like.
The first is the dancers in the center of the stage.
When they are separated, they travel back and forth like the drifters on the wreck.
The second act allows women to take heavy steps with the ship on stage.
They wore straw hats of different shapes on their heads and were then joined by people they applied in och color.
It is full of meaning, but I\'m afraid its meaning has disappeared from me.
Still, the first three pieces are great and worth a night under the stars.
Pack a picnic and enjoy a unique evening in Western Australia.
Tickets provided by BOCS.

The design staff said that Tom simiña\'s computer system can recognize dance movements, synchronize music and lights with performances, and can also be integrated into interactive computer games.
Researchers at Arizona State University have developed the system that recognizes dance movements from normal video clips.
They have previously created a system that uses markers attached to the limbs and joints to track the movements of dancers-a motion analysis technique known as \"motion capture.
\"The use of regular cameras will make interactive dance performances a user-
\"Very friendly,\" said Gang Qian, a member of the research team.
\"It is less invasive because there is no need to place markers on the theme, and conditions such as lighting and clothing can be more flexible.
\"The researchers worked with professional dancers to develop the system, which uses two cameras, one behind the dancer and the other on one side.
\"With two cameras, the system can recognize the dance posture more accurately,\" Qian explained . \".
\"There are many blurry poses when using only one camera.
\"The performer\'s video clip is entered into a computer that removes the background to produce a pair of white-on-
Black outline.
The computer then converts these contours into digital coordinates, which can be compared with 20 modern dance pose libraries already stored in the system.
If the computer statistically finds a match close to it, it indicates that it has found a particular dance action.
In tests involving different dancers, the system is 83% accurate in identifying actions stored in its memory.
Researchers suggest that this may allow it to synchronize background music or stage lights with impromptu dance performances.
Or it can be included in the dance.
Based on computer games.
But Sean Gong, who studies computer recognition of human behavior at Queen Mary\'s University in London, said the system may also have limitations.
\"A question about silhouette --
\"Based on cognition, it relies heavily on opinions,\" he told the New Scientist . \".
\"You need no clutter around, the background is relatively clean, [the same perspective]computer]
Training and final performance.
Dancers may need to be disciplined to ensure that specific movements are recognized, Gong added.
He added: \"But dance may be one of the most challenging sports for humans, and perfecting these systems may lead to the development of new types of entertainment.

On Friday night, at a crowded Christian rock concert at abertsford Church, stage scaffolding fell, knocking about 70 people down the floor and into the basement. Thirty-
The two were wounded and treated by ambulances, police and firefighters from several communities in Fraser Valley at Central Highland church on McCallum Road. Twenty-
Two of them had to be taken to hospital by ambulance, Const said.
Kathy Veney at abertsford police station
Although Vinet did not know their age or condition, three people were seriously injured.
\"This is a rock concert, mainly attended by young people,\" Vinet said . \".
About 1,000 people from the Lower Mainland and Washington state are enjoying a concert by the Christian rock band Starfield, 9: 17, with lamps and scaffolding falling above the stagem.
It falls on a group of people dancing in front of the stage, about 12-
15 feet from floor to basement below.
The hole left on the floor is about 24 feet square feet: Kevin Wittenberg Photo-a special photo of 13-year-old ProvinceAlyx peckinpaough, after narrowly avoiding a fall,
\"People are jumping, and I\'m jumping,\" she said . \".
Then she saw a security guard making a gesture and suddenly, the floor gave way.
\"I ran to the wall and yelled at my friends.
I couldn\'t find her, and then I saw her.
I ran out into the hallway and out there.
\"After the incident, the crowd, including the young parents who attended the show, crowded outside the church to cry and pray, because the injured were treated, and was taken to the hospitals of abertsford, chillivak and Langley.
\"Most of the injured were injured on foot, but some were taken away by stretchers,\" said Chris Douglas, senior pastor at the Central Highlands Church . \".
Ryan Collum and Troy Grenier are trying to find a friend in the chaotic scene.
\"We have a friend at the concert,\" Collum said . \".
\"We are really worried about her.
We don\'t know where she is.
Lorin Bergen, the pastor of Surrey life Hope Church, said that four young people in his church were hospitalized, one suspected of a broken arm and the other dug his hand.
\"We are very grateful,\" Bergen said . \"
\"It could be worse.
\"The concert was not organized by the church,\" Douglas said.
Instead, the management of the band has rented it out and sold their own tickets.
Members of Starfield were outside on their tour bus but did not comment.
Vinet said the police\'s forensic team was on-site.
\"We will do everything we can to determine why,\" he said . \".
After the event, first
The hand account began to appear on Starfield\'s Facebook page.
Here\'s what \"Elwin\" posted on the \"Fan Wall\" message board: We\'re the last row of pews that crashed in the basement.
We have bruises and a lot of pain.
Our Pew is with the people below.
Pray for all of them
\"Walter\" posted this: I was there.
Luckily, my little son and I were late on the balcony.
I pray for the band.
I pray that they will not be too shocked by this.
The injured (
And their parents)
Will heal soon and will not file a lawsuit against a band or church.
I pray for the congregation in the Central Highlands who will be able to worship on Sunday and will not be disturbed during the reconstruction.
When I went downstairs to help
I was a former volunteer, roadie)
I saw a woman fall down.
She lay down face down just (audience)
Right in the center of the stage.
She was unconscious and twitching.
I called 911, but I couldn\'t call.
This is 9: 18.
I checked when we realized that the horizontal lighting truss would not fall into the hole.
She lay on her back.
I don\'t know if she\'s okay.
Please update if anyone knows who she is or her condition.
From Starfield.
I want to encourage you by what could be a tragedy.
Shane talked to Shane\'s people about the fire, but God was with shadrak, micak, and abbednigo.
He will get through it with you.
He will also be with those injured.
On Friday night, McCallum Road was closed in both directions near the church and from Exit 90 of nearby Highway 1.
Anyone with photos, video clips, or any other disaster report is encouraged to submit to the province via our tag prompt page.

NEW YORK (Billboard)-
Steve Qingmu, son of Benihana founder/owner Rocky, brother of actor/model Devon, made dance veterans shudder: He\'s a celebrity DJ.
He\'s the guy who stole the Vegas bookings, and he\'s pretty funky-
When he has to jump, give Lindsay Rohan a turntable class while the camera flashes.
One of his names is a child millionaire.
But this summer, Aoki adventure enters the heart of dance culture: Ibiza, the Spanish party island.
At first, he had to convince local promoters to hire him.
And then he hit 10,000.
Personal party mission and have the reveler swing from the light truss to his technologyout rock.
He returned to Ibiza for several shows throughout the summer and recently left with the coveted Sea View award at the annual Ibiza DJ Awards ceremony, over the past few years, dance giants such as work masters and Groove Armada won the championship. Is the red-
Inherit the stepson of the Kingdom?
\"I threw a curve ball and it worked well,\" said Qingmu about his Ibizan success . \".
\"You play these electronic clubs and play things that don\'t belong to electronic music in their world, and suddenly it\'s much more energetic. ” Hollywood-
The dance tag based on therive captures this connection and commissioned a hybrid CD.
And running point techniques (
In 1996, he founded a record label in the apartment, with bands like the Bloc Party and the Kills)
Aoki has successfully combined the costume collection with the world tour.
\"Pillow face and his aircraft Chronicles\" is by far the best compilation of the year: a set from-the-
The groin rocks, acid and extrusion transcend its inherent hipperism, providing a good reason for the green wood to grow old
It\'s more like school than the DJs who say he\'s not.
\"Paul Van Dyk, Eric Morello, and Teeter.
I \'ve never heard half of the dj\'s or their music.
\"It\'s really not my world,\" he said . \"
\"The best DJs are more about how they flow than how they mix,\" he added . \".
\"When I started to mix better, I really liked the idea of a quick mix.
But the biggest complaint is,-
I really like that song. I want to hear more.
When I realized the song was right at the right time.
The bigger room I \'ve been playing with, when it\'s the right psychological shift, the crowd lights up if you can take advantage of the emotional patterns in the room and in your own head.
\"Pillow face\" started out with a guitar rejected by an already non-existent Swedish hardcore band, which seamlessly blends into the French electric duet \"justice\"
In fact, all the mixing
Even if they come from different or noisy, choppy styles --
Smooth like the twist on the Bozak mixer.
Qingmu also solved an old compilation problem.
Aside from the name of the DJ, \"Why am I buying this?
\"I have played these songs for free on Limewire,\" he said . \".
So he commissioned the drop of \"all family\" guests: club scenes like santoga, Mickey Avalon and uffi.
On the \"shake and pop\" show, Chicago rapper little sister joined original artist green velvet in the studio --
A duet like Natalie and Nat \"King\" Coletech.
Why didn\'t a DJ think of this before?
It was a revolution for the green wood, it was Los Angeles, not New York;
Rock, not a house;
Fresh, not nostalgic.
\"This new global dance energy is really distorted and dirty,\" he said . \".
\"It\'s not electronic music.
It\'s no longer electronic music.

Music and dancing have always gone hand in hand, with the right beats and rhythms setting the perfect mood for an electrifying dance floor experience. However, while the music is undeniably the driving force behind a great party, the impact of DJ lights should not be underestimated. The right lighting can elevate the energy of a dance floor, creating an immersive and pulsating atmosphere that keeps the crowd moving and grooving all night long. In this article, we will explore the impact of DJ lights on dance floor energy, and how these visual effects contribute to the overall party experience.

The Psychology of Lighting

Lighting plays a crucial role in setting the mood and atmosphere of any space, and this holds true for the dance floor as well. The psychology of lighting on a dance floor is centered around creating an environment that is stimulating, immersive, and captivating. The right lighting can prompt emotional and psychological responses in people, influencing their energy levels and overall engagement with the music and the environment around them. From vibrant and dynamic colors to pulsating patterns and movements, DJ lights have the power to captivate the audience and set the stage for an unforgettable experience.

Good DJ lighting has the ability to create a dynamic and visually stimulating environment that enhances the overall party atmosphere. By using a combination of color, movement, and intensity, lighting designers can craft an experience that complements the music and accentuates the energy of the dance floor. When the visuals match the energy of the music, it creates a cohesive and immersive experience that elevates the overall party atmosphere.

Capturing the Rhythm of the Music

One of the key roles of DJ lights is to capture the rhythm and energy of the music being played. A skilled lighting designer understands how to sync the lights with the music, creating a visual representation of the beats, tempo, and mood. This synchronization between the music and the lights helps to amplify the energy on the dance floor, giving the audience a multi-sensory experience that fully immerses them in the music.

Lights that pulse, flash, and move in sync with the music create a dynamic and electrifying atmosphere that fuels the energy of the dance floor. This synchronization adds another layer of engagement for the audience, as they become visually connected to the music in a way that enhances their overall experience. When the lights capture the rhythm of the music, it infuses the dance floor with a contagious energy that keeps the crowd moving and grooving throughout the night.

Creating Visual Dynamics

The dynamics of DJ lights play a crucial role in shaping the energy of the dance floor. Visual dynamics refer to the movement, patterns, and changes in lighting that create a sense of excitement and intrigue among the audience. Whether it's using moving lights to create sweeping beams across the dance floor, or using patterns and textures to add visual depth and dimension, dynamic lighting adds another layer of excitement to the party atmosphere.

By utilizing different lighting techniques and effects, lighting designers can build anticipation, excitement, and energy on the dance floor. The use of dynamic lighting elements keeps the audience visually engaged, creating a sense of anticipation and surprise as they move and interact with the space around them. These visual dynamics add a layer of excitement and energy to the dance floor, helping to sustain the party atmosphere and keep the crowd engaged and enthralled.

Enhancing the Overall Party Experience

Ultimately, the impact of DJ lights on the dance floor is about enhancing the overall party experience. By creating a visually stimulating and immersive environment, DJ lights contribute to the energy and atmosphere of the event. When the lighting is designed to complement the music and the overall party vibe, it adds an extra dimension to the experience, elevating the energy and excitement of the dance floor.

The right lighting has the power to transform a space, creating a captivating and pulsating environment that keeps the audience engaged and energized. Whether it's a subtle and moody ambiance for a relaxed evening or a high-energy and dynamic display for a lively dance party, DJ lights have the versatility to adapt and enhance any party atmosphere. When used effectively, DJ lights become an integral part of the overall party experience, contributing to the energy and vibrancy of the event.

In conclusion, the impact of DJ lights on dance floor energy is undeniable. Lighting plays a crucial role in setting the mood, capturing the rhythm of the music, creating visual dynamics, and enhancing the overall party experience. The right lighting has the power to captivate and energize the audience, creating an immersive and pulsating atmosphere that keeps the dance floor alive and vibrant. When combined with the right music and the right crowd, DJ lights become an essential element in creating a memorable and exhilarating party experience. With the ability to enhance the emotional and psychological responses of the audience, DJ lights are a key ingredient in shaping the energy and excitement of the dance floor.